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UNTOLD AMERICA

The sweet symbol of
Japanese America

By Bernadette Young

For the past 117 years, a small family-run mochi shop in Los Angeles’ vibrant Little Tokyo neighbourhood

has echoed the painful and often overlooked Japanese American experience.

And today, it’s the sweet glue holding the community together.

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Every morning just before 06:00 while most Angelenos are asleep, Brian Kito leaves his home in Monterey Park and passes a row of family-run shops on East 1st Street in downtown Los Angeles. Some stores advertise their names in English, most are written in Japanese, but only one bears a historical marker on the window: Fugetsu-Do, the oldest confectionary store in Los Angeles’ Little Tokyo neighbourhood, owned and operated by the Kito family since 1903. 

Inside his family’s sweet shop, Brian pushes past shelves of Japanese sweets and imported snacks and heads through a set of swinging doors into the back room. For the next eight hours, he and six men will mix, cook, roll and wrap glutinous rice into 20 types of steamed rice cakes known as mochi. Brian keeps a watchful eye on things as he moves around the kitchen and greets customers in the front.

As steam billows out of a rice cooker, the men move in sync, hardly talking save for the occasional instruction Brian delivers to his team. Just like his grandfather and father before him, Brian runs a tight ship and makes sure that the different kinds of rice cakes are made in time for deliveries to markets throughout the city and for customers visiting the shop later that day.

Brian is a third-generation Japanese American. His family, and its mochi-making tradition, can be traced back to the early 1900s when waves of Japanese immigrants were arriving in Little Tokyo. Today, this five-block-long neighbourhood is a National Historic Landmark and the heart of one of the US’ largest and most historical Japanese-American communities. In many ways, the Kitos’ family history echoes that of Little Tokyo itself and bears witness to the painful and often overlooked Japanese American experience. 

Following the 1882 Chinese Exclusion Act that prohibited Chinese labourers from immigrating to the US to protect jobs for white citizens, many Japanese came to Los Angeles and took on the low-wage jobs once held by Chinese. East 1st Street has always been the main hub of Los Angeles’ Japanese community, and as more Japanese immigrants arrived, they opened a slew of businesses and temples catering to the growing population.

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Seiichi Kito, Brian’s grandfather, arrived in the United States in May 1903 and settled in Little Tokyo. Trained as a mochi maker in Tokyo, Seiichi started selling sweets and opened a shop with friends two blocks from Fugetsu-Do’s current location. As Seiichi made the mochi, his wife, Tei, helped at the front counter while his children helped him package the sweets. Their little shop soon gained loyal customers up and down the Southern California coast who came to try their mochi and red bean paste manju rice cakes.

The Immigration Act of 1924 eventually banned all Asian immigrants from coming to the US, but as more Japanese Americans gravitated to Little Tokyo from other US cities in the 1930s, it became home to the largest Japanese community in the country. Like the neighbourhood itself, Fugetsu-Do started to cement its place in California’s Japanese American society.

Japanese often enjoy rice cakes as a snack, but during the holidays they typically give them away as gifts. Mochi and manju are traditionally gifted on New Year’s Day, Girls’ Day (3 March) and Boys’ Day (5 March). In the weeks leading up to New Year’s, the Kitos would work in their kitchen around the clock making mochi and manju, and volunteers from the community would help them keep up with demand.

“Mochi is connected to our culture and religion, so the pastry is easily part of the community,” Brian said. “My grandfather also cared about Little Tokyo and found ways to take care of his neighbours.”

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Seiichi’s son, Roy, took an interest in mochi making and began working alongside his father in 1935. The two worked together for the next six years, but when the Japanese unexpectedly bombed Pearl Harbor on 7 December 1941, the Kitos’ family business suddenly stopped. In the bombing’s aftermath, the US military suspected that Japanese Americans might act as espionage agents and enemies of the state, and many Japanese Americans, including the Kitos, became targets.

“Many times, the Japanese American and World War Two story [of discrimination] begins with Pearl Harbor,” said Karen Ishizuka, historian and chief curator at the Japanese American National Museum, located half a block from Fugetsu-Do. “When Pearl Harbor happened, society was already predisposed to being anti-Japanese and it was an excuse to lock up [Japanese Americans], just in case they might be spies or saboteurs.”

On 19 February 1942, President Franklin D Roosevelt signed an executive order authorising the forced internment of Japanese Americans along the West Coast. Roughly 120,000 Japanese and Japanese Americans from Washington to Arizona were given between four days and two weeks to pack their things before being sent to 10 internment camps scattered across the US. Almost overnight, Little Tokyo became a ghost town.

The Kitos had to close their shop, sell what they could and put the rest in storage. The family was first sent to Santa Anita Park in Arcadia, California, where they lived in repurposed horse stalls. In August 1942, they were transported by train to the Heart Mountain Relocation Center internment camp in Wyoming.

For the next three years, the Kitos and 14,000 other detainees lived cramped together in barracks guarded by military police. Families of up to six had just one light and one stove for heat, and each person was given two blankets and slept on an army cot.

Once fellow detainees learned that Seiichi was a master mochi maker, people started to give him their sugar rations so he could prepare mochi and manju for them. Life inside the walled-in, barbed-wire internment camp was hard, but the mochi provided a familiar sense of comfort for the detainees. And it was while he was imprisoned at Heart Mountain, that Roy met, fell in love with and married his wife, Kazuko.

Following the war, the US government discouraged Japanese Americans from returning to their homes, in hopes of disbanding their communities. But the Kitos knew they had to go back to Little Tokyo, the only home they’d ever known in the US, to reopen their sweet shop. It would not be easy, however.

When Seiichi and Roy tried to retrieve their machinery from storage, they were told they had to pay four years’ worth of back rent. They could not get the money together, so the property owner kept the machinery. Without a home of their own, the Kitos lived at Koyasan Temple for nearly a year and Roy worked for $0.20/hr as a waiter until he'd saved enough to move into an apartment. A year later, in May 1946, Fugetsu-Do reopened in its current location on East 1st Street after another family in Little Tokyo, the Tanahashis, invested in their mochi shop.

Roy inherited the business from his father in 1957. In the decades after the war, whenever the Kitos’ Japanese neighbours needed help, they first turned to each other instead of going to the police out of fear of discrimination. And because of the Kitos’ pre-war roots in Little Tokyo, more often than not, the community turned to Seiichi and Roy for help.

“It was just how things were with my grandfather and father,” said Brian. “No-one was told to help others; my family just took leadership roles in our community.”

Brian grew up watching his father in the shop. Like Roy, he showed an acute interest and skill in mochi making. And like Seiichi and Roy, after Brian took over the family business in 1980, he became the go-to person for any Japanese American that needed help in the community – often reading letters, giving advice and advocating for his neighbours.

Following the 1992 Los Angeles riots, downtown Los Angeles became rundown, and the ensuing crack epidemic made it even worse. To protect his community, Brian helped establish the Little Tokyo Public Safety Association – a group of volunteers who patrolled the area, cleared the streets of panhandlers and worked with the police to reduce crime.

“If I didn’t go out and make a foundation for my store and clean up the area, it doesn’t matter what happened in the store,” Brian recalled.

“Today it’s not as bad as it was,” said Bill Watanabe, who has worked with Brian to improve Little Tokyo for the last 40 years as the founder of the Little Tokyo Service Center community organisation. “Many people appreciate what he does and has done, and we worry who will take over after Brian.”

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Today, Fugetsu-Do looks the same as it has for generations. As Brian admits, “Yes, it looks old and dated, but I want to keep it that way.” For many of the Kitos’ long-time customers, the shop brings back fond memories.

“The shop became part of our lives, it was kind of like a person and being at home,” said Joanne Tashiro, who remembers coming to Fugetsu-Do with her grandmother when she was growing up. When Tashiro was getting married, she asked the Kitos if her wedding pictures could be taken at Fugetsu-Do in memory of her grandmother, who had passed away. This way, Tashiro said, her grandmother could somehow be part of the wedding.

Today, even though Tashiro lives 340 miles north in San Jose, whenever she visits Little Tokyo, she drops by Fugetsu-Do to get manju for herself and a box of other sweets for her family.

“Every time I see Brian Kito, I get teary eyed,” she said. “All the memories come back.”

Memories and history aside, Fugetsu-Do’s mochi and manju are still made with Seiichi’s original recipe and techniques. Each day, plain glutinous rice is transformed into a chewy ball of sweetness. First, the rice is steamed then kneaded into a smooth ball and covered in potato starch. Then, it’s either left as is or stretched and stuffed with fillings, such as traditional red bean paste. The Kitos also use rice flour to make a slightly smaller, though similar, version of mochi called dango.

Mochi is defined more by its distinct gummy bear-like texture than its subtle starchy-sweet flavour. Compared to most mass-produced varieties, Fugetsu-do's handmade mochi are softer and easier to bite into, and when it’s fresh from the kitchen, it nearly melts in your mouth.

More than 1,000 pieces of mochi and other delicacies are created at Fugetsu-Do each day. Brian has now been making mochi for 44 years. In the shop's front, Brian’s wife, Tomoko, and other workers pack the sweets while customers stream in and out. And working alongside Brian is one of the newest members of the Fugetsu-Do team: his son, 19-year-old Korey.

One of the major changes Brian initiated when he took over was to set up a wholesale business to bring products to American and Asian supermarkets. Many non-Japanese were introduced to mochi when it started to be used as a popular frozen yoghurt topping in the 2000s, leading the pastry to go mainstream. To adapt, the family developed a new line of mochi snacks with what Brian calls more “American” flavours, like chocolate, peanut butter, fruit and the colourful rainbow dango mochi. Traditional versions and artisanal flavours, such as chocolate manju with a fresh strawberry on top and a strawberry manju with a dot of chocolate on top, are only sold at the shop for walk-in customers.

During the past century, the shop has weathered rough times and figured out ways to keep on going. Now it is witnessing a new challenge: gentrification.

“It’s not the Little Tokyo of my childhood,” laughed Brian. “Well, maybe just my store.”

“It’s not the Little Tokyo
of my childhood,”
laughed Brian. “Well,
maybe just my store.”

Many of Little Tokyo’s first- and second-generation Japanese Americans have moved away, and their businesses have shuttered because their descendants were not interested in continuing their family’s trade. But even with the changes, the community still works together to help local businesses. “Japanese Americans love to come together and form groups when there is a problem,” said Brian. “I think that is part of our Japanese culture – to organise and conquer.”

Yet, while time has changed the small-knit community in Little Tokyo, it has also caused the broader cultural mindset to change as well. Recently, nearly 80 years after rounding up and imprisoning more than 28,000 Californians, the California Assembly apologised in February for its role in the discrimination of Japanese and Japanese Americans during World War Two.

“It would be more important if the apology connected to this part of history [was] being taught in schools, so we may avoid this from happening again in the future,” said Brian.

Looking forward, Brian hopes that Korey will one day take over the family business and serve the community like three generations of Kitos before him.

Brian has agreed to step aside and let Korey take over the business once he finishes with his bachelor’s degree, if he so chooses. If so, Korey says he will go to Japan to train with mochi masters to get a better sense of how to evolve the shop in the future.

Still, Brian thinks Korey has a lot to learn when it comes to repairing the equipment and knowing how to deal with the rough times that surely lay ahead for the business.

“Korey has only seen the business make money,” said Brian. “Maybe this year, it will be his chance to go through a rough patch because of the coronavirus pandemic and how it will affect the business’ future.”

Like many small businesses, Fugetsu-Do has been forced to adapt to the current pandemic. Even as most of Los Angeles had shut down, Brian and Korey were still in the kitchen, helping to fulfil wholesale orders for supermarkets and welcoming any customers from Little Tokyo who dropped by. No-one knows what the future may bring, but Brian hopes that Fugetsu-Do will survive this latest cultural and economic challenge and prevail with a new generation of Kitos behind it.

“This is what we know
and what we do best,”
Brian said. “Little Tokyo
and Fugetsu-Do are
home.”

Credits

  • Writer: Bernadette Young
  • Video journalist: Kate Kunath
  • Story editor: Eliot Stein
  • Video producer: Alba Jaramillo
  • Editor: Anne Banas
  • Designer: Laura Llewellyn
  • Picture credits: Bernadette Young, Kate Kunath & Getty Images

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Untold America

Untold America is a BBC Travel series that celebrates the many traditions and cultures within this vast country, and highlights the stunningly diverse cities and landscapes that have shaped America and the American spirit. From the voices of relative newcomers to those with legacies spanning generations, Untold America aims to show the world a different side to the United States, and perhaps show the United States a different side to itself.

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