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29 October 2014

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You are in: Beds Herts and Bucks > Entertainment > Theatre and Art > Theatre and Dance Reviews > Review: 42nd Street

42nd Street

Review: 42nd Street

With great show-stopping numbers, high-kicking dance routines and stunning sets, 42nd Street had Ian toe tapping all the way home! Read his review here.

42nd Street

Milton Keynes Theatre

Box Office: 0870 060 6652

Tue 3 Jul:  7:30pm
Wed 4 Jul:  2:30pm, 7:30pm
Thu 5 Jul:  2:30pm, 7:30pm
Fri 6 Jul:  7:30pm
Sat 7 Jul:  2:30pm, 7:30pm

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Swan Theatre
High Wycombe

Box Office: 01494 512000

November 13, 14, 15, 16, 17

Last week I reviewed a perfectly acceptable performance of "High Society" at the Wycombe Swan. This production of "42nd Street" highlighted why the former was only acceptable because this was absolutely brilliant.

"42nd Street" was unusually a film first in 1933 and not turned into a stage show until much later. Set in 1933, the year of the film, the show tells the story of a new musical set against the backdrop of recession and prohibition. The action moves between rehearsal rooms backstage to the rousing finale of the show itself and succeeds in recreating the wonderful escapism offered by the Broadway musical.

"It's the best musical show I've ever seen! Don't miss it...."

Ian Pearce

This show is sung well and danced brilliantly. Tap dancing has always bemused me, probably because my friend and colleague Eddie Grabham plays records that feature tap sequences. They fall flat on record but this energetic young cast deliver the dance numbers superbly. The costumes are a riot of colour and there's a nod towards the bizarre in some of the giant coins and flowers in some of the show within a show numbers. Look out too for a glorious tribute to the director of the film Busby Berkeley with the aid of a giant mirror.

In fact the set delights throughout and never stops the action despite the mirror,  a Philadelphia railway station and the obligatory flight of stairs all of which appear with an element of surprise.

42nd Street

42nd Street

As I said earlier, the dance numbers are out of this world. One simple routine sums it up. The male dancers carry their tap shoes onto the stage. The put them on and tie their bow ties in complete synchronicity. It sounds easy until you realise that it is absolutely meticulous and rehearsed to perfection. There's the Paradox in "42nd Street" : the musical the cast are producing only just makes it on stage with Peggy Sawyer a reluctant standby whilst the show we are watching is as slick a piece of musical theatre as you'll ever see.

The show stars musical veteran Dave Willetts who has replaced Paul Nicholas as impressario Julian Marsh. He doesn't really get too much of a chance to use his vocal talents because most of the songs are invariably ensemble numbers. But what songs they are. "Lullaby of Broadway" , "I only Have Eyes for You ", "Keep Young and Beautiful", "Dames " - they just keep coming.

There are some good individual performances. Jessica Punch delights as rookie understudy Peggy Sawyer combining a raw brilliance with over enthusiastic ineptitude. I was also very impressed with young Ashley Nottingham in his dramatic part as Billy Lawlor.

I realised that during the second half I had a beaming smile on my face. This production does what the original film did: it provides a wonderful evening of pure escapism.

 It's the best musical show I've ever seen. Don't miss it.

last updated: 05/07/07

You are in: Beds Herts and Bucks > Entertainment > Theatre and Art > Theatre and Dance Reviews > Review: 42nd Street



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